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Unlike Hamlet's first two major soliloquies, the third and most famous speech seems to be governed by reason and not frenzied emotion. Unable to do little but wait for completion of his plan to "catch the conscience of the king", Hamlet sparks an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one's right to end his or her own life....Hamlet asks the question for all dejected souls -- is it nobler to live miserably or to end one's sorrows with a single stroke? He knows that the answer would be undoubtedly "yes" if death were like a dreamless sleep. The "rub" or obstacle Hamlet faces is the fear of "what dreams may come" (74), i.e. the "dread of something after death" (86). Hamlet is well aware that suicide is condemned by the church as a mortal sin.sK... said:Hi, can someone remind how, (if at all) Hamlets scene 3 soliloquay "To be or not to be..." relates to R+G????
(and in what way it reflects changed values...)
cheers
yep, just to back up ur statements with quotations, as we all know how much markers love quotes!loza_87 said:death is not something that was considered to be such a philosophical issue, therefore was not taken as seriously in R&G as in Hamlet.
Yes, and they also accept this factloza_87 said:in r&g they have no choices,their lives are pre-destined